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Payment details. Depending on the Pattern selected, negative settings setting the knob left of may result in little or no sound. Just call up Show Value and take a peek behind the curtain.
Page Tip 23 Panic! Before you unplug it and try to stuff it back in its box, try these common-sense workarounds and solutions. See Tip Use this only if you suspect something is actually wrong with the DX These are simple things you can do to change the sound, pitch, rhythmic feel, and other aspects of the Patterns — even the Patterns them- selves — Muting tracks The Patterns of the DX contain and play back up to four separate tracks — the Synth track and three Rhythm tracks.
The convenient Track Mute feature lets you selectively mute these tracks — even during playback. Button [1] corresponds to the Synth track; when you press this, the Synth track cuts out. Any Pattern — even the User Patterns — can go to any button. Used with some of the other sound shaping controls on the DX, this is responsible for the machine gun effects, helicopter-like sounds and a slew of other industrial noises you hear in a lot of techno, electronica and dance music today.
Try out some of these and see what kind of chaos you can create. One of them is the EG section. Depending on the Voice and the other EG settings, a short Decay value knob around may result in a weak, percussive sound.
Try adjusting the knob around or and then slowly move upwards from that as you repeatedly play the key. This eliminates a lot of confusion about which EG is doing what.
As with the other controls, tweak this to various settings as you play the keys. Finally, set this to around or 80 - With the above settings as a starting point, go back to each of the EG knobs and play around with them some more. The DX has actually got quite few more sonic tricks up its sleeve. It determines how the basic sound-generating elements operators of the synthesizer are organized and combined. This gives you additional control over the tone or timbre of the sound.
Not true. The Noise Oscil- lator on the DX gives you quite a choice of noise makers — sixteen in all! As we pointed out in Tip 45, noise can be very useful in crafting sounds. Try selecting different noise types here and listen for the difference in sound. Combined with the Unison setting, this function brings the humongously phat sounds of vintage syn- thesizers to the digital realm — Page And Saving Them Scene 1 has just been stored.
Otherwise, the DX will switch to the Store Pattern operation page Feel you need an extra pair of hands? Or maybe an extra two? No problem. Just use the amazing Free EG feature.
The DX is packed with a lot of powerful recording functions — Page 61 EG track recordings will be saved right along with it. During recording, the DX automatically assigns each knob you move to the next available track.
It lets you set how long in measures your Free EG moves are recorded for, and it lets you separately set how long it takes for them to play back.
The first couple of Tips introduce you to some important tools for working with the Patterns, such as copying and erasing data. In Tip 51, you saw how to use the Top function to play your own stutter hits. It retriggers notes of the Synth track, and repeats them — like a drum roll.
The Transpose Pattern function lets you change the overall key pitch of a Pattern — including the Rhythm tracks. Here, you can set the length of the Metronome lead-in — in other words, how long the Metronome clicks before Real-time recording actually starts. This may not always give you the results you expect — but it will ensure that ALL your notes play back in perfect sync with the rhythm.
Page 72 [11] twice again. Page 74 Chapter 14 Pattern Recording Enter the notes for these Steps in the same way as you did with Steps 1 - 8 above, but use the setting guide below: Again, this is ONLY a guide — make your own settings, if you want. Page 75 15 Set the knobs as shown. Set knobs [1] and [5] to around The display value should be around 90 - Set knobs [2], [3], [4], [6], [7], and [8] to around The display value should be around 40 - Or, make your own settings.
The DX gives you User memory spaces for saving your original Patterns. Load each bank of back to the DX when you need it — or share your banks with your DXequipped friends and bandmates. Keep in mind too that you can use Bulk Send with the computer-based DX Editor page to further edit your Voices.
Just skip over the measures that you want to stay the same — the DX automatically repeats the last Pattern, until the next new entry. See Tip 27 for more infor- mation. Gate Time This lets you control the length of the notes for the Pattern at the selected measure.
See also: Service Manual. Table of Contents. Previous Page. Next Page. Yamaha DX27 Owner's Manual 39 pages. Yamaha DX27 Service Manual 31 pages. Yamaha dx desktop fm synthesizer - power user guide 9 pages. Of course, the DX27 is fully programmable, allowing you to create your own FM voices or sound effects. Page 4 The DX27 is ruggedly constructed using reliable solid-state circuitry, nonetheless it is a fine instrument that should be treated with care.
Digital circuitry such as that used in the DX27 is sensitive to voltage spikes and 6. Electrical Storms surges. This is 1. It permits sending a mono signal to either a mono or stereo sound system, or a mixing console for recording or PA applications.
This will prevent the initial power-on shock surge from possibly damaging your amplifier and speaker system. The music stand supplied with the DX27 fits into the two sockets on the rear panel 8. Music Stand see diagram. They 1. The chart below shows the overall DX27 voice memory configuration. The Voice Read Only Memory. Individual 1. Page 14 toward the player to lower the pitch by the specified amount.
This provides the same depth of effect, but in the opposite direction of wheel movement, which can be useful in performance situations. Page 15 This mode is useful in re- creating the effect of guitar string bending techniques, acoustic bass or bass guitar slide effects, etc.
If you lift your hand off the DX27 keyboard between notes, there will be no portamento effect. Page 16 The optional Yamaha BC-1 breath controller is a unique way of adding musical expression as you play the DX27 keyboard.
The BC-1 is held in the mouth just like the mouthpiece of a wind instrument. Blowing harder or softer into the BC-1 mouthpiece produces a corresponding effect. These parameters may be set individually, or combined for more complex effects. If, after editing or creating a new voice, you inadvertently call new data into the voice edit buffer by pressing one of the voice selector buttons before storing the edited voice data, the voice you had spent so much time editing will be erased from the edit buffer.
When off, no MIDI data interchange is possible. Voices 25—32 will be dumped as INIT When the output of one operator is fed to the modulation input of a second operator, i.
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